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The Dumpling Effect
What Small-Town Festivals Teach Us About Big Community

This article is part of a special Now Frolic series on festivals.
Summer is finally here, and that means festivals across the country. Festivals come in many forms. Some are a rite of passage, some are rooted in civic tradition, and some are held for the simple pleasure of listening to our favorite tunes.
Festival is also an adjective describing an atmosphere of unrestrained joy. Here, Now Frolic’s columnists have created something special – five stories of festivals. Over these five days, read perspectives on the role of festivals in our society, and spread an atmosphere of joy by sharing these stories with your friends and family. Happy Summer!
You’ve heard about the music festivals, cultural showcases, and upscale craft markets that define urban life in the summer, but I’d like to shift your attention to something quieter — sweeter, even. In my corner of eastern Pennsylvania, where farmland borders old general stores and everyone knows someone who still bakes pies from scratch, community doesn’t require a main stage or a beer garden to flourish. All it needs is a local park, a pastry crust, and a Saturday evening.
Most people I meet have never heard of Sinking Spring. It’s the kind of place you don’t stumble upon unless you’re headed there intentionally — or your GPS takes a particularly rogue detour. No billboards, no flashy slogans. Just a few stoplights, a whole lot of trees, and the quiet hum of ordinary life. For one weekend each May, Sinking Spring becomes a gravitational center — at least for the folks in Berks County.
That’s when the Apple Dumpling Festival rolls into Willow Glen Park, transforming the town into a vibrant hub of traffic, toddlers, and powdered sugar. The roads fill with cars and folding chairs. The air grows heavy with cinnamon and fryer oil. People who haven’t seen one another in years exchange knowing nods across lemonade stands.
You don’t pass through a gate — not really. There’s a gravel path leading to a wide green clearing, where tents pop up like mushrooms after a storm. Homemade signs point toward parking in a nearby field. Kids spill out of minivans and race toward the rides, while adults stake out picnic tables under trees already heavy with May leaves. There are schoolchildren in matching shirts singing on a plywood stage, a dance troupe with sequined vests, and the unmistakable sound of someone’s clarinet squeaking through “God Bless America.”
You’ll find rows of craft booths selling soaps, dog biscuits, and locally made candles with names like “Campfire Mornin’” and “Blueberry Church Pew.” A retired teacher sells handmade potholders beside a local teenager’s friendship bracelets. There are antique tractors for display, face painting near the flagpole, and a trio of bored-looking teenage boys halfheartedly running the balloon dart game.
Most importantly – there’s the dumpling booth.
Let’s clarify something: an apple dumpling is not the same as a fried pie. The fried pie, common in the South, is a turnover — dough folded and fried around a fruit filling. On the other hand, the apple dumpling is a whole peeled apple, cored and packed with cinnamon sugar, then wrapped in a flaky crust and baked until golden, bubbling with syrup. It’s warm, heavy, and needs a fork. Maybe a scoop of vanilla ice cream; maybe not. It’s Pennsylvania Dutch comfort food, and outside of this region, it’s surprisingly hard to find.
I grew up just a few miles from the fairgrounds, and even now, I can’t hear the jingle of a carousel or smell a funnel cake without being pulled back to my earliest summers.
The Apple Dumpling Festival wasn’t just an event — it was a landmark on my internal calendar. It was the first place I ever wandered off alone, the first place I got sunburned to a cover band’s rendition of a Bon Jovi song. I watched my neighbor’s daughter win Little Miss Apple Dumpling and learned that, in a small town, the world is much closer — and more communal — than it looks.
That’s the subtle power of festivals like this. They’re not just about desserts, though the dumplings are genuinely excellent. They’re about closeness, emotional as much as physical. Local festivals compress the social distance between us. They remind us that our neighbors are not abstractions or avatars, but real people who vote, shop, grieve, and celebrate beside us.
Local festivals compress the social distance between us.
Like many small town fairs, the Apple Dumpling Festival wears its simplicity proudly. There are no celebrity headliners, no wristband apps, no sponsored VIP lounges. You park in a field, pay with a crumpled $10 bill from your back pocket, and watch a row of toddlers take turns riding a mechanical dragon while teenagers flirt beneath cotton candy clouds.
Civic life here at its most tangible. When scholars warn of the disappearing third place — those social environments outside of work and home — they're talking about spaces exactly like this. Places where you don’t need a formal invitation and where the price of entry is simply showing up. Festivals like these restore something many of us didn’t realize we were missing: casual, unfiltered belonging.
It’s not just me who thinks so. “I’ve enjoyed going to the local farm show since I was a kid,” said Timothy Noll of Manheim, Pennsylvania. “The Apple Dumpling Festival was like reliving some of those wonderful memories — funnel cakes, fair rides, and hanging out with friends. Local festivals like that are the reason I always want to stay in a small town; I love the vibes, and it’s the best way to spend an evening!”
Local festivals like that are the reason I always want to stay in a small town.
Sinking Spring is far from the only town in Berks County that knows how to put on a show. Robesonia hosts a street fair that feels like stepping into a living photo album. Reading draws music lovers from across the state with the Berks Jazz Fest and Blues Fest. Oley, a town so picturesque it could be painted onto a collector’s plate, puts on a beloved agricultural fair each September that combines prize-winning livestock with Ferris wheels and fried cheese on a stick.
In a world where we’re increasingly divided by algorithms, headlines, and invisible walls, these festivals and fairs remind us of something basic but profound: community is not built on agreement — it’s built on presence. On seeing each other. On making eye contact over a plate of fried dough and deciding to belong to the same place.
While you may not have heard of Sinking Spring, I bet you know a place like it. The next time that town strings up lights, sets out food stands, and dusts off the stage for a community festival, I hope you go. Bring your kids. Invite your neighbor. Bring your slightly skeptical friend. You might just remember what it feels like to not only live somewhere, but to be part of it.
If you’re lucky, there’ll be apple dumplings.
Katelynn Humbles is a writer, visual artist, and journalist based in Reading, Pennsylvania. With bylines in Cabin Fever and Berks County Living, her work explores the intersections of culture, community, and communication. She writes about Civic Life for Now Frolic. Find her on Instagram @katelynnhumbles or online at katelynnhumbles.journoportfolio.com.